email: don@donthacker.com
November 2009
The Days Are Never Long Enough
I often feel like the days are too short. There is always so much that I want to do and time seems to fly by. However, today is a bit special, as we shifted our clocks to standard time last night. I have always found it a bit jarring, as you start to notice the autumn days getting slowly shorter, then one day - BAM! - sunset at 5:45. This time of year is very fleeting in many ways. The sunlight is at a premium, and mother nature teases us for a few weeks out of the year with the brilliant colors of the deciduous trees. This afternoon I went about 60 miles north of Atlanta to Dahlonega, GA and painted in the vineyards of the Montaluce Winery. A beautiful place they have with views of the very start of the Appalachian Mountains. It was a great drive and I'm always amazed at the variety of colors in the fall leaves. I picked this spot as I liked the very green tree on the right and the yellow-green vines set against the earthy tones of the surrounding forest. I especially enjoyed how the backlighting brought out those colors.
So about this sunlight thing. I'm actually not as down about it this year as I have been in the past. This summer I was introduced to nocturnal painting at the Marc Hanson workshop I took. However, I have only had a couple of chances to try my hand at it. Now with the time difference, I plan to scout out some good night time scenes in my area. We'll see what happens.
"Montaluce Vines"
oil on lead primed canvas
SOLD
A Sketchy Area
After several months off, Atlanta's Dr. Sketchy group had a session on Monday. Dr. Sketchy started in New York and is now a franchised life drawing group in over 50 cities around the world. My good friend Lisa runs the one in Dallas. The tag line is "Art Class Without the Class". Well, that is especially true now with the new Atlanta venue. For the time being, the group is meeting once a month at the world famous dive bar The Clermont Lounge. The Clermont is indeed a strip club, although not the kind you normally think of in Atlanta. Oddly enough, even though I was at a life drawing group at a strip club, I didn't see any nudity that night. The models are typically in costume at a Dr. Sketchy's and apparently, the Clermont is more of a regular dive lounge earlier in the night. There was a great turnout session, and thanks to Lori for organizing the event.
I wasn't really prepared for the low lighting and large crowd, so I experimented around with my watercolors without much success. I do like this drawing. It has a bit of whimsy to it that seems to fit.
Nightman
Well, maybe it's always sunny in Philadelphia, but here in Atlanta it is dark before 6pm. But I'm not going to let that stop me from plein air painting! Back in May I went to a workshop with Marc Hanson and he told us about how he enjoys nocturnal painting and uses the Mighty Bright to light his canvas and pallette. I gave it a try in downtown Minneapolis later that week, and while the light did its job, I didn't make the right adjustments for the values after dark. Through the summer the days were long enough that I didn't have a good opportunity, but that changed recently with the shift back to standard time. So tonight I went out and stood out in the middle of Freedom Park and painted the waning gibbous behind a big silhouetted tree with some nice street lights in the background. I surprised several night bikers and joggers who didn't expect to see someone off the bike path painting under a set of book lights. There are some good advantages to the night painting. For starters, your lighting conditions don't change (at least not until sunrise). The dark areas are simple and fun to paint and you can really work on mood, edges and making your lights stand out. You also kind of feel like Batman or something, going out into the pitch black and setting up. I'm going to take advantage of the nearly full moon while I can, then next week move to some night street scenes.
"Freedom Park at Night"
9x12 oil on panel
SOLD
Seeing the Forest for the Trees
The weather was so incredible the last few days, there was no way I could let the weekend go without painting in it. The light, the temperature, everything was fantastic. And it is the last few days of the Fall colors. So I took Illy out to the Chattahoochee River National Recreation Area. At first I was going paint from a similar spot as the work I did during the Paint Out back in August. I was going to paint a fall scene to contrast with the same design with summer greens. But then behind me I saw a view that I've had on my list for a long time - a dense forest with lots of illuminated colors. So I turned my paint box around and painted this hill with the light coming through the trees. Illy was on her best behavior, and I was assuming it was because she was as anxious to see how it turned out as I was. This is the third densely wooded forest piece I've done (the other two being in swamps), and I've learned a lot each time. One important part of landscape painting is to simplify, which is a tough task on such a complex subject.
"Fall Forest"
10x8 oil on lead primed canvas
SOLD
Get On Up In Here!
This last week I've been getting ready for the big show 12/5 and 12/6. Mainly, I took a bunch of paintings off to Digital Arts Studio to be scanned with their Star Wars-y scanner. I'll have an assortment of prints and notecards available at the show, and other pieces will be available to ship within 2 business days. I ordered new display grid walls that I have to pick up next week, and I also will need to do some fast framing when I get the paintings back from Digital Arts Studio. So the next few weeks will be busy. This is going to be a great show, and I hope you can make it.
Also, be sure to sign up for the newsletter. I am going to make a few 'subscriber only' prints/notecards and at a special rate for you that have been kind enough to share me your email.
Countdown to the Show
The show is next weekend, and I've just finished reorganizing my prices and online offerings based on the print run I'm going to do next week. This piece, Seal Harbor, will be featured in my first oversized print - a 22x28 giclee. It is also available as a 11x14 canvas giclee, 11x14 giclee on watercolor paper and notecards. I did this piece during a wonderful trip to Acadia National Park a few years ago.
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Comments
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DRAWINGS: Inspired by Life .... in Dallas
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Hey! I wonder if any of them
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Amicalola
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What a great experience!
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Rose Bowl
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